Going Home Thirty-five years and two months is a long time to stay away from a place that you hated to leave at all. The thought crossed my mind as I wandered the streets of the old city of Surat, looking for familiar landmarks and for my family home. Is that my cousin's house opposite the temple? I can remember playing cards there on a sweltering afternoon in May 1964 when news came that Jawaharlal Nehru had died and admonishing my cousin for her less-than-respectful demeanor. My outburst surprised her for she did not expect a teenager with an Elvis-style pompadour to be politically sensitive. A few steps down and there's the building that housed the all-girls school that my great-grandmother founded. As we stood and looked, an official came up and greeted us. When I told him of my interest in the school, he became nostalgic and reminisced about my family. However, he got confused between my grandfather, the doctor, and his brother, the lawyer, both of whom were active in public affairs. Just down the street is Gandiva Sahitya Mandir, the publishing house famed for its Bakor Patel books that brought Disney-like anthropomorphic characters into the homes of the Gujarati middle class. It was into this family that my younger aunt was married. Sadly the `press', as it was called locally, was torn down some years ago. Across the street from the press is the house where my grandfather's brother lived. He was the lawyer, whose prominence in the city was the stuff of history. However, I remember him for his great collection of mystery books: Sherlock Holmes, Sexton Blake and Ellery Queen and for his ability to produce a coin from behind the ear of any person less than 10 years old. His house was part of the old family home that was really two grand old buildings connected by a bridge. On the ground floor was my grandfather's dispensary, where a quaint old compounder mixed all the good doctor's prescriptions. My interest in his rudimentary pharmacology led some to insist that I would follow in my grandfather's footsteps to major in medicine. As it turned out, I did follow the old man's trail, not in medicine but in public affairs. Between the two houses is the narrow lane that led to my grandfather's house, where I was born and raised and visited regularly till April 1966 when he died. My eyes brim over as I walk through the alley into the house that was a home and is now a rich trove of treasured memories: of those who have passed like my grandfather, with his inspiring vision and my grandmother, who gets my vote as the sweetest person of the 20th century...and of those who remain, inheritors of strong family ties that have weathered the passage of time and the alienation of distance. Thirty-five years on, I feel the swirling confluence of the past and the present: as though the youth who lived in that house had journeyed into the future and returned with a 50-year-old man in tow. then the youth disappeared into the past, leaving the older man to luxuriate in the warm and fuzzy memories of the house and its people. from the times of india august 20 2001 |
Saturday, July 5, 2008
A Trip Down Memory Lane
Wednesday, July 2, 2008
The Dev Anand Legend
As I stood there shaking hands with him when he came to receive the Dada Saheb Phalke award, the years seemed to melt away. It was as though I was in my pre-teens, having just watched Nau Do Gyarah , Munimji , Paying Guest or whichever film I first saw starring Dev Anand.
I can remember going straight into the bathroom, wetting my hair and trying to work up the stylish pompadour. Dev Anand was my absolute favourite screen personality and I religiously caught every single film he ever made.
My friends say I am an inveterate optimist, that's why I came back to India after nearly two decades in the US. The optimism has its roots in my early exposure to Dev Anand's films.
Since the late 1950s and through the early 1960s, he was my favourite hero, not necessarily because he was a good actor but because he stood for hope.
While Dilip Kumar represented the tragedy of the Indian condition, Raj Kapoor the misbegotten ideology that messed up India, Dev Anand stood for what India could be, smiling and stylish with a song on the lips.
Dev Anand represents the most modern of all creative idioms: Find talented people and let them grow. Through his organisation, Navketan, we were introduced to Guru Dutt, S D Burman and dozens of others, who entertained generations with movies and music that today are part of our memories.
About the time Dev Anand began to be recognised as an entertainer, the operative mood in Indian films was down-in-the-mouth, a victim of the colonial experience. The theme song was Duniya mein hum ayein hain to jeena hi padega, jeevan hai agar zahar to peena hi padega .
Along came Dev Anand with his worldview expressed best in the song from the film Hum Dono : Barbadiyon ka shok manana fuzul tha, har fikr ko dhuein mein udata chala gaya .
His films filled me with hope, the ultimate global value that was in short supply in India at that time.
Congratulations on the Dadasaheb Phalke Award, and thank you Dev Saheb, you instilled me with optimism about India before I reached my teens.
In the words of your immortal song: Jeevan ke safar mein raahi... de jaate hain yaadein . Indeed, you have given me, a fellow traveller in the world, a rich lode of memories, never mind your lyricist's other lines, which I have left out in the ellipsis.
from the times of india, february 16, 2004
Friday, June 27, 2008
Barbarians at The Gate
All Knotted Up
The Shah was condemned as an agent of Western imperialism. After his ouster, the new regime moved to purge
Thursday, June 19, 2008
My Kind of Town
Springtime in
Cold though it was, I had the car window open to gaze upon street corners and home gardens that were ablaze with sweet-scented lilac and to savor the wondrous aroma of barbecues amid freshly-mowed lawns. After a
Tuesday, June 17, 2008
Education: India’s Achilles Heel
On a recent flight from Goa to
copyright rajiv desai 2008